MARKMAN
14-01-2002, 08:55
What an amazing assault on the senses this film is. I got the 3 disc special edition, and boy am I glad I did. Apart from a viewing of Inferno years and years ago, this is my first foray into the mind of Dario Argento - more films need to be ordered methinks.
I, rightly, sent my girlfriend off to bed as I knew that she wouldn't like the film, and then settled down to watch it - and it delivered almost everything it should have.
Argento certainly has a "photographic eye", there isn't one scene where the composition is anything less than beautiful, I wish that I could take one photograph like that never mind shoot a whole movie. The use of colour sends you into sensory overload - the blues, the greens, the reds - oh, the reds.
The music by Goblin, which was apparently made before the film and played to the cast to inspire them, was cock-on perfect. The synthesizer/chant style perfectly partnered the look, feel and pacing of the film.
The plot itself meanders a little, and I found the denoument a little too rapid. However, and this may sound silly, I found myself not just watching this for the plot, but to see the next immaculately cinematographed scene.
The whole Pan-Euorpean cast, which gave cause for the looping of English dialogue, purely added to the atmosphere and does not detract you from what is happening on screen. From the opening scene in the Airport you know that you are in for something special.
The overt use of scarlet as a colour for blood and for the red wine in the sink compensates the dynamic feel of the film, and brings you closer to the almost surrealist world of the Dance Academy (where the film is set).
All in all, a great film, and a perfect introduction (for me) into the world and mind of Dario Argento.
I, rightly, sent my girlfriend off to bed as I knew that she wouldn't like the film, and then settled down to watch it - and it delivered almost everything it should have.
Argento certainly has a "photographic eye", there isn't one scene where the composition is anything less than beautiful, I wish that I could take one photograph like that never mind shoot a whole movie. The use of colour sends you into sensory overload - the blues, the greens, the reds - oh, the reds.
The music by Goblin, which was apparently made before the film and played to the cast to inspire them, was cock-on perfect. The synthesizer/chant style perfectly partnered the look, feel and pacing of the film.
The plot itself meanders a little, and I found the denoument a little too rapid. However, and this may sound silly, I found myself not just watching this for the plot, but to see the next immaculately cinematographed scene.
The whole Pan-Euorpean cast, which gave cause for the looping of English dialogue, purely added to the atmosphere and does not detract you from what is happening on screen. From the opening scene in the Airport you know that you are in for something special.
The overt use of scarlet as a colour for blood and for the red wine in the sink compensates the dynamic feel of the film, and brings you closer to the almost surrealist world of the Dance Academy (where the film is set).
All in all, a great film, and a perfect introduction (for me) into the world and mind of Dario Argento.