fatal
12-11-2001, 17:00
The latest Home Cinema Choice magazine has a review of the Sony STR-DB1070.
I thought that it sounded rather disappointing and since I haven't had a chance to experience my amp yet, I'd like it if anybody can confirm/deny any of the below allegations.
It won't be online yet so i'll post a couple excerpt of the review - Apols to HCC if this is infringing on any copyrights.
........
(HCC Practical Tip)
.... A minor word of advice though: a minor attenuation of the treble (centred around 4kHz) benefits movie listening, imparting a pseudo-ReEQ curve (sort of THX-lite), but go any further and you'll find the DB1070 can become ear-splittingly bright, dull or bloated.
........
So, after a week of tinkering, I listened to what turned out to be a decidedly mixed performer. Even with a set of AC1 Sapphire III monitors, the Sony is best described as 'shrill'. Its musical delivery lacks body or warmth, which is a trait that can't be corrected by crossover adjustments. The soundstage width and separation is excellent even when listening to matrix modes like Pro-Logic. On the other hand you won't be able to overlook the Sony's forward, overly aggressive and almost raucous delivery.
The STR-DB1070 tends to exaggerate dialogue sibilance, especially female vocals, but I'm more concerned by its multichannel performance as a whole. Not only do movies have the same 'thin' character as music, but there is also a tendency to confuse elements, especially with complex passages. The Sony conveys the normally impressive musical opening of Tarzan as a muddle, played by an orchestra of kazoos.
.......
On the bright side, the surround processing is of a high standard and channel levels are accurate across all formats. The surround back channel is also able to accurately replicate a true THX EX system, albeit without LucasFilm's proprietary processing, and can add an enhanced sense of 'space' with suitably encoded soundtracks. I particularly enjoyed its firm grip on the EX masterpiece that is Fight Club
........
The review gives:
Highs: Setup flexibility and crossover options; two analogue input arrays
Lows: Limited video inputs; fatiguing sonic delivery
Sound: 2.5 stars
Build: 4 stars
Ease of use: 3.5 stars
Features: 4.5 stars
Overall: 3.5 stars
cheers,
Paul
I thought that it sounded rather disappointing and since I haven't had a chance to experience my amp yet, I'd like it if anybody can confirm/deny any of the below allegations.
It won't be online yet so i'll post a couple excerpt of the review - Apols to HCC if this is infringing on any copyrights.
........
(HCC Practical Tip)
.... A minor word of advice though: a minor attenuation of the treble (centred around 4kHz) benefits movie listening, imparting a pseudo-ReEQ curve (sort of THX-lite), but go any further and you'll find the DB1070 can become ear-splittingly bright, dull or bloated.
........
So, after a week of tinkering, I listened to what turned out to be a decidedly mixed performer. Even with a set of AC1 Sapphire III monitors, the Sony is best described as 'shrill'. Its musical delivery lacks body or warmth, which is a trait that can't be corrected by crossover adjustments. The soundstage width and separation is excellent even when listening to matrix modes like Pro-Logic. On the other hand you won't be able to overlook the Sony's forward, overly aggressive and almost raucous delivery.
The STR-DB1070 tends to exaggerate dialogue sibilance, especially female vocals, but I'm more concerned by its multichannel performance as a whole. Not only do movies have the same 'thin' character as music, but there is also a tendency to confuse elements, especially with complex passages. The Sony conveys the normally impressive musical opening of Tarzan as a muddle, played by an orchestra of kazoos.
.......
On the bright side, the surround processing is of a high standard and channel levels are accurate across all formats. The surround back channel is also able to accurately replicate a true THX EX system, albeit without LucasFilm's proprietary processing, and can add an enhanced sense of 'space' with suitably encoded soundtracks. I particularly enjoyed its firm grip on the EX masterpiece that is Fight Club
........
The review gives:
Highs: Setup flexibility and crossover options; two analogue input arrays
Lows: Limited video inputs; fatiguing sonic delivery
Sound: 2.5 stars
Build: 4 stars
Ease of use: 3.5 stars
Features: 4.5 stars
Overall: 3.5 stars
cheers,
Paul